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Showing posts from December, 2010

Dan Bashara on UPA Cartoons and Pre-War Modernism

Please join the Chicago Film Seminar on Thursday, Jan 13 (please note new date) at 6:30 pm to welcome Dan Bashara for his talk "Useful in the Abstract: UPA Cartoons and Pre-War Modernism." Bashara is a PhD candidate in the Screen Cultures program at Northwestern University. Bruce Jenkins from the School of the Art Institute of Chicago will provide the response. The CFS will be held, as always, in the Flaxman Theater, Room 1307 of the School of the Art Institute's building at 112 S. Michigan Ave. Thursday, Jan 13 at 6:30pm Dan Bashara, "Useful in the Abstract: UPA Cartoons and Pre-War Modernism" Respondent: Bruce Jenkins (SAIC) For more information on this and other CFS events, please visit our website at http://chicagofilmseminar.blogspot.com/ Bashara describes his talk as follows: In histories of animation, the fabled "modern" style of the post-WWII American cartoon, perhaps best exemplified by the film studio United Productions of America and its Os...

Session #4: Mark Williams on Minority Report (Dec 2)

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The Chicago Film Seminar welcomes Dartmouth's Mark Williams to deliver his talk "Closely Belated? Thoughts on Real-Time Media Publics and Minority Report ." Williams describes his talk as follows: Minority Report (Spielberg, 2002) is renowned as an exemplary instance of the cyber-noir thriller. Even in an age of media convergence and consolidation, motion pictures can function as key sites of interlocution for the structuring of desires and anxieties about political and socio-economic dynamics and effects. Minority Report is rather rich in such opportunities for analysis, although despite the assuredness of its conceit and dramatic structure, I find more compelling what the film cannot resolve quite so neatly--what we might call its belated thematics. Via methods that derive from television studies, I will consider the film in relation to what I call "real-time" desires that condition its configurations of digital culture, the techno-future, and personal/so...