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Showing posts with the label Nontheatrical Cinema

Summary: Gregory Waller on Non-Theatrical Cinema in 1915

On Feb 10, 2011 (rescheduled from the blizzard-plagued previous week), Gregory Waller of Indiana University presented his talk "Tracking the Non-Theatrical: The American Cinema in 1915." The response was provided by Northwestern's Scott Curtis. In this talk, Waller takes a thorough, wide-ranging look at American non-theatrical film production and exhibition in the year 1915 to argue for a re-orientation of our conception of film history in which commercially-released films are but one aspect of “the cinema” among several. Waller focused on the circulation and exhibition of moving pictures outside of what we normally think of as the film industry and the traditional movie theater, as well as the production of educational or industrial film. Waller argues that designations such as “non-theatrical” and “educational” must be understood in a not-so-stable dialectic with “theatrical” and “entertainment,” terms that were perpetually evolving. Particular attention was paid to the...

Feb 3: Gregory Waller on Nontheatrical Cinema

Please join the Chicago Film Seminar on Thursday, Feb 3 at 6:30pm to welcome Gregory Waller for his talk "Tracking the Nontheatrical: The American Cinema in 1915." Gregory Waller is a professor in the Department of Communication and Culture at Indiana University. Scott Curtis (Northwestern) will respond. The CFS will be held, as always, in the Flaxman Theater, Room 1307 of the School of the Art Institute's building at 112 S. Michigan Ave. Thursday, Feb 3 at 6:30pm Gregory A. Waller (Indiana University) , "Tracking the Nontheatrical: The American Cinema in 1915" Respondent: Scott Curtis (Northwestern) Waller describes his talk as follows: Instead of asking "what is cinema?" I propose reframing this question: what was cinema in a specific time and place­-say, in the United States in 1915, the year of the Mutual Decision and The Birth of a Nation, Chaplin’s The Tramp and the continuing consolidation of Hollywood? And, further, how was this historically sp...